He created the prototype for the painting in the form of a small pencil drawing, where he turned the blonde girl into a redhead, and eliminated extraneous background detail. Lichtenstein chose the original illustration from the DC comic book Secret Hearts, which Lichtenstein has made his own by subtly manipulating its content. may look as if it was rolled off a printing press in a matter of seconds, but it is actually the product of a long, painstaking procedure. Lichtenstein then adapts his source, removing distracting details, lines, figures, or words to present his compositions with the ultimate clarity. The work owes its vivid monumentality to the careful scrutiny and distillation of a pre-existing image selected from thousands of random possibilities. It disrupts our desire to engage with the scenario and forces the viewer to analyse the image on its own terms. In his hands, the subject's corny theatricality has become an image of mystery, where the past and future events of the storyboard can only be surmised. It captures the Pop master's innate gift for editing, capturing the telling gesture of an emotive moment. The solitary, emblematic figure leaves us guessing as to why she looks so crestfallen, as she mutters into the phone clutched at her ear. He presents this image without context, the narrative flow frustratingly incomplete. The visage of this 1960s sweetheart represents a single panel from a graphic love story that Lichtenstein dilated to the scale of a 36" x 38" easel painting. Created in conjunction with his explosive war paintings, these images of love-struck women reflect the artist's formal interest in a generic style of representation, while simultaneously addressing the cultural dichotomy between male and female stereotypes. She forms part of the much admired cast of dreamgirls painted between 19 that saw Lichtenstein attain international prominence as one of America's most exciting and controversial artists. Lichtenstein lifted the stunning blue-eyed, flame-haired beauty that fills the frame from the pages of a romance comic and rendered it larger-than-life. As with all his greatest images, at once striking and subtle, humorous and highly serious. Painted in 1964, Roy Lichtenstein's Ohhh.Alright illustrates the brash comic styling of his most celebrated period of artistic production. However, for the avoidance of any doubt, if you are advised by or bidding through an agent on a lot identified as being subject to a third party guarantee you should always ask your agent to confirm whether or not he or she has a financial interest in relation to the lot.Įxecuted in 1964, this work will be included in the forthcoming catalogue raisonné being prepared by the Roy Lichtenstein Foundation. Third party guarantors are required by us to disclose to anyone they are advising their financial interest in any lots they are guaranteeing. Where it does so, and is the successful bidder, the fixed fee for taking on the guarantee risk may be netted against the final purchase price. The third party may also bid for the lot above the written bid. The third party will be remunerated in exchange for accepting this risk based on a fixed fee if the third party is the successful bidder or on the final hammer price in the event that the third party is not the successful bidder. If the lot is not sold, the third party may incur a loss. In doing so, the third party takes on all or part of the risk of the lot not being sold. The third party is therefore committed to bidding on the lot and, even if there are no other bids, buying the lot at the level of the written bid unless there are any higher bids. In such cases the third party agrees prior to the auction to place an irrevocable written bid on the lot. Christie's therefore sometimes chooses to share that risk with a third party. Where Christie's has provided a Minimum Price Guarantee it is at risk of making a loss, which can be significant, if the lot fails to sell. This is known as a minimum price guarantee. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale.
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